Live Nation and Ticketmaster ordered to face nationwide lawsuit over ticket prices

AM Editorial Team

Live Nation and Ticketmaster ordered to face nationwide lawsuit over ticket prices

A U.S. federal judge has cleared the way for a sweeping class action accusing Live Nation and its ticketing arm, Ticketmaster, of inflating prices for concerts and live events across the country. According to Reuters, the ruling allows millions of ticket buyers to pursue damages linked to purchases made over the past 15 years.

The decision came from U.S. District Judge George Wu in Los Angeles, who said consumers met the legal threshold to move forward as a single class. The case covers more than 400 million tickets sold since 2010 at major venues nationwide, Reuters reported.

Court rejects effort to block class certification

Live Nation pushed back against expanding the case, arguing that ticket sales across hundreds of venues involved too many individual factors to justify one trial. The judge rejected that argument, finding enough common issues to proceed collectively.

The lawsuit, first filed in 2022, accuses Live Nation of using its dominant position in live entertainment to overcharge fans, in violation of U.S. antitrust laws. Plaintiffs claim the company’s control over venues and ticketing allowed it to impose fees that would not exist in a competitive market.

Live Nation and Ticketmaster deny any wrongdoing. The company has argued that venues, not Ticketmaster, decide the fees added to ticket prices, often on a show-by-show basis. Representatives for both sides did not comment immediately on the ruling, Reuters noted.

The case adds to mounting legal pressure on Live Nation. In October, the U.S. Supreme Court declined to move the dispute into private arbitration, keeping it in federal court. Separately, the U.S. Justice Department and several states have filed their own antitrust lawsuit in New York, also targeting Live Nation’s ticketing practices.

The latest ruling means the consumer case will now move into a more complex phase, with potential exposure stretching back more than a decade and involving one of the most powerful companies in live entertainment.